Stuck at home? Don’t worry… I’ll tell you a story.


Big Ben struck nine. Ai caught herself smiling. Again.

Novel - Everywhere & Always

She knew that cycling to work was a bad idea but was going to do it anyway… A vigorous wind gust pushed her sideways when she attempted to mount her bike, but she tried again – successfully, this time…

The wind came back with a vengeance. Without further warning, between Sloane Square and Knightsbridge, it blew her out of her lane, again. Her heart stopped as a parked car’s door swung open… A tall man grew out of the fancy machine she’d bumped into. Ai apologised profusely and loudly as the wind’s angry howling insisted on silencing her words.

Like a medical doctor, the man examined his possession. “It’s okay, but you must be careful,”  he said.

Ai nodded remorsefully and then cycled away – wishing she had heeded the wind’s very first warning. She cautiously picked up her pace.

Ai worked at Harrods. Getting there took ages that morning, and the hand of the wind moved furiously across Knightsbridge. It triggered a trip down memory lane – taking her back to the day when she visited the famous store with her mother.

“Mum, the wind is telling me where to go!”  she cried out, barely holding onto her mother’s hand as the tempest kept trying to separate them by blowing teenage Ai away.

“Don’t listen! You tell the wind where you’re going,” mother replied with great seriousness, as if she was talking not just about the gale.

Mother tightened her grip and Ai felt safe, again. Then, she stood her ground and pressed against the wind as it pressed against her. Ai shadowed her with determination. She was going to get to where she was going and nothing, not even a hurricane, would stop her!

It happened over a decade ago, but Ai remembered everything clearly as if it happened yesterday. That day, she thought her mother had power over the wind. She could smell the sweet smell of their victory over one of the four elements. It heightened her anticipation of the reward…

 

Monika Ribeiro © 2020

 

Take some time to distract yourself from the bad news, and isolate yourself from fear…♥ Subscribe here to receive the first chapter of My Novel “Everywhere & Always” Now.

TV Script Editor Interview – Storytelling


Interview - AmyLights, camera, action! 😂 TV script editor Amy Reith has worked with some of the greatest story minds (arguably) – in various roles – across BBC4’s, Sky One’s and Sky Atlantic’s productions…

What I really like about Amy though is that she’s a sweet and down to earth woman… I’ll let you know how we met (funny story) – in part 2 of the interview… 🙂

Meanwhile, as always, we’ll be chatting about writing and storytelling. Besides, we’ll dive into writing for TV specifically. Without further ado, if you are or aspire to be a writer of any kind or TV script editor maybe, this interview should answer at least some of your ‘how to’ questions. Let’s do this!

M: What’s your academic background? Briefly describe your career progression.

A: I attended the local comprehensive school and then went on to study at the University of Exeter – my course was ‘English and Creative Media’ – which essentially means I changed my mind halfway through the course and they had to make up a title for it!

I studied modules varying from English literature and film theory to creative writing and web design, so it was an interesting mix.

When I graduated, I moved back to my hometown, saved up for a year and then relocated to London. On reflection, it was quite a naïve move. I didn’t have a job, so just temped to pay the bills and hoped I’d eventually get some work in TV or film – thankfully, somehow, (after lots of temp admin jobs to pay the bills…) it paid off!

M: What productions have you worked on so far?

A: My first set of credits are all across documentary shows. The first company I worked for made both drama and documentary projects, so I worked as a production assistant/coordinator across their shows and visited the set of a film they were involved in – Kajaki – in Jordan. Then, I moved over into development where we had a large slate of varied projects. In terms of productions, I worked across shows like the BBC4 comedy Bucket, was in the initial writers’ room for the Sky One show Bulletproof and then worked on Sky Atlantic’s Riviera for seasons 2 and 3. I finished on that at Christmas and started on a new project in January.

M: What was your workday like at Riviera? What does a TV script editor do?

A: One of the best bits about script editing is the variety – depending on where you are in the process, no two days are the same.

Initially, you often have a writers’ room – which usually includes the executive team, story team and writers all working through the characters, themes, storylines etc. Then, once the writers go off to work on their episodes – you become their point of contact, helping them when needed with their outlines, scene-by-scenes and scripts, while also working across any production documents needed – such as writing character bios, series outlines, casting documents etc.

During the drafting process you’re on hand to read the new drafts as they come in, make your own notes, then collate them with notes from the showrunner, execs, producer and director and feed them back to the writer.

Once you get closer to filming, you spend a lot of time liasing with production staff – making sure what the writers are working on fits with the schedule, locations and budget. I’ve also spent time on tech recces, which is really useful to get a feel for the geography and layout of the locations and understand what the director is planning in terms of their blocking for each scene.

Once you’re in production, you’re usually working on the drafts of future episodes while also covering amendments to the scenes being filmed and issuing these out to the coordinator for distribution. A lot of the time you’re based in the office of the production company running the show but once it’s filming, you’re often back and forth to the production office and locations.

M: On that note, some of those are quite fancy. Reportedly, Riviera season 2 was filmed in various locations such as Monaco and Nice as well as Alpes-Maritimes in the South of France – with many recognisable landmarks in the background. 🙂

 M: What are the most and the least enjoyable bits of the script editor role?

For me, each stage has its enjoyable moments and its challenges – the initial storylining process is usually the most freeing and creative, but can also feel like it moves slower than you’d like, while the adrenaline of filming is exciting and invigorating, but often the busiest and most stressful stage of the job.

M: How many writers did you manage? What are the main challenges of creating stories with a team of writers?

A: Across both seasons of Riviera, we had five writers working on the show. I’d say in the early stages of storylining, the biggest challenge is making sure that everyone’s ideas align with the tone and voice of the show. All of the writers we worked with are brilliant in their own right, and have strong, powerful voices on the page, so helping them find the right pitch for the show so that it doesn’t feel disjointed is the initial goal. But, thankfully, they’re all total pros, so this was never a big problem!

Once you get into the scripting process, it’s not really a challenge, but one of the most important things I do early on is work out how each writer works. Some people like to discuss their episode then go away and work independently until they’re ready to deliver. Some will discuss it, go away and then touch base sporadically until the deadline, while some like to keep a more regular contact, batting questions and ideas back and forth. My job is to be on hand for them – so I can adjust to any rhythm once I know what they prefer.

M: What part of writing/storytelling can be, and which one cannot be taught?

A: I think there’s elements of the craft that can be taught – from the basic stuff like learning how to use Final Draft and the correct layout to knowing how to write a scene-by-scene etc, but I believe a lot of writing and storytelling comes from instinct.

Just getting a feeling for what works, what doesn’t, what excites you and the people you’re working with versus what doesn’t. Millions of books have been written about storytelling – and most of them completely contradict each other.

I don’t think there’s one format that should be adhered to, and we’re lucky enough that in the current TV market, people are getting braver about diverting from previous structures imposed on shows.

M: What are the main lessons you’ve learned while working on TV productions (i.e. on storytelling e.g. how to weave a good  story, etc.)? 

A: Working in development and as a script editor has, I think, been the absolute best place to learn story and structure. Personally, with my own writing, I’ve always found the precise intricacies of plotting – the logic, the pacing etc. – the hardest part, so having had the opportunity to work with some really brilliant story minds has been invaluable. You quickly learn what works, what doesn’t, what is overused and what feels original.

Also, just watching how different people work – whether it be executive producers, story producers, fellow script editors or writers. I find it fascinating to see the way everyone’s ideas develop and the methods they use for structuring a story.

In TV, I find there’s an interesting balance between creativity and the actual craft of making a show. The former is essential, but when you are constantly working to deadlines, schedules and notes from varying quarters, it’s also about finding a way to get the scripts ready to shoot without compromising on the creativity.

M: What advice would you give to people who want to write for TV? Where should they begin?

A: Having asked this question many times, I know how frustrating it is when people just say ‘write’ – as if just writing your own material will suddenly get it seen and get you a job. It usually makes me irrationally angry to hear it, but I’m going to become what I hate, because I do recommend writing as much as you can in your spare time – not because it will get you work – but because it really is a case of the more you write, the better you become.

Everyone’s route into writing for TV is different – some come from editorial, some juggle writing with directing/producing, a lot are playwrights who move across. For me though, I think working as part of a story/editorial team is invaluable experience – so the first step to this is to become a researcher/assistant script editor. As far as I know, long running dramas in the UK usually hire people on 6-month fixed contracts, so advertise quite regularly for roles like this. Similarly working in development is also really useful as you work across a large slate of projects, so see ideas and shows at their inception, and get to work with a varied set of writers.

M: How do you recognise a writer’s style? How can one find/understand their unique voice?

A: I always love chatting with writers for the first time and finding out what they’re interested in. Often, people who write lots of episodes of TV can adapt their voice and tone for the show they’re working on, they’ve become pros at it, but diving in and finding out what they really are interested in is fascinating.

I mean, usually people always seem to want to write much darker things than they’re currently working on (take from that what you will…!) You can, often, tell quickly whether people skew towards wanting to find the heart of a piece, or the action and excitement, the comedy or the tragedy.

M: How does one know which area of writing to pursue?

A: I think the best thing to do is try everything – try writing a novel,try poetry, try screenwriting or writing a play, try articles, reviews, find what works and what doesn’t and don’t feel like you have to settle for just one thing.

M: What makes a good writer?

A: There’s so many different answers to this question, but I think at the heart of it, it’s about connecting with what you’re writing.

Whether you’re writing a novel that inspires escapism, a specific genre of TV show, a gritty, realistic film or something more avant-garde, if you’re not getting something back from writing – enjoyment, catharsis, or anything else, then it’s hard to get something on the page that people will associate with.

To be continued…✍🏽

Manuscript Editing Tips – Nonfiction


Nonfiction Manuscript Editing

Nonfiction manuscript editing can be challenging if you aren’t sure what to look out for. Yet, the better your manuscript is before you pass it onto a book editor the better the final product will be.

So, where should you start self-editing?

Structure

Focus on story structure, its clarity and flow. For example, when I edit my articles or blog posts, I want every paragraph to be a logical follow up to the previous one. The same goes for chapters, etc. Moving from one concept to another should make logical sense… When drafting, I’m not too concerned about what goes where. Drafting is a little like scattering your puzzles on the floor. Editing is like getting rid of the puzzles that belong to another set, finding those that got misplaced and then putting the right puzzles in the right places…

Rhythm

Read your writing out loud and hear what it sounds like. When you find problems with its rhythm you will be able to make the changes you need to make. Better yet, get someone else to read your story out loud and see if and where they get stuck or lose the plot…

Verbs

When self-editing, pay attention to verbs like ‘is’, ‘was’, ‘has’, ‘had’, ‘can’, etc. They get overused and they’re not the most descriptive. I tend to google word synonyms to find more descriptive ways of saying what I want to say. You can use a dictionary too. The bottom line is – we don’t like non-descriptive words and we don’t want to repeat the same words over and over and over again.

Simplify

I keep having to remind myself the K.I.S.S. formula (keep it simple, stupid). If you’re naturally inclined to long-winded writing, you will understand this strange tendency to use 10 words in order to write 5-word sentences… Oops! I’ve just done it here. Anyways, “long-windedness” can be a good thing, sometimes. E.g. when you want to slow down the pacing of a novel to accomplish a specific goal like building suspension (for instance). However, in non-fiction – within this context, less is usually more. So, do remember to K.I.S.S.

On this note, you may have read one of my recent posts about publisher/editor Barbara Campbell (by whom I was trained). “I remember proudly presenting my first feature to her. It was embellished – quite “flowery”. She cut so much out. I got upset thinking she took my soul out of the piece. I then showed it to my friend who had read the original. She didn’t hesitate to tell me that Barbara’s pen made it better. Quote by me, Voice Newspaper Online.

Typos, Spelling and Grammar Mistakes

I won’t talk about them much because we all know that they must go. So, look out for well-known baddies such as typos, spelling and grammar errors. Goal: eradicate as many baddies as you can.

Writing might be an art not a science, but editing is… both. The final goal of manuscript editing is to produce a great read that’s tailored to industry standards. If you’re writing a book, I recommend that you hire a book editor. Even the best writers “commit” typos and “abuse” sentences, sometimes. Plus, you can’t see what you can’t see…

When you have done all that you can let a good editor help you do the rest… Keep reading to learn about different levels of professional editing. This info should help you decide what book editing services your manuscript requires.

Developmental editing

The very first level of editing is developmental editing which comes before copy editing and proofreading (the last two are not the same). As the name implies, developmental editing is meant to develop the core of your story. It is the most time consuming and labour-intensive part of the editing process. Developmental editing considers your audience and/or target market. Many self-published authors do developmental edits themselves because paying someone to do them can be costly. Plus, most editors are copy editors who don’t do developmental work. However, a good editor should be able to give you developmental guidance and offer suggestions on how to develop your manuscript before moving onto the next stage…

Copy editing

Line and copy editing are about the language. Quite often, non-fiction is written to impart knowledge and/or convey a message. Typos and grammatical mistakes will impact on your reader’s confidence in your knowledge (even if writing isn’t your area of expertise). Hence, copy editing is necessary to help your manuscript stand out.

Proofreading

Proofreading should come at the very end of editing process – when all other changes have been made. It is not the proof-reader’s job to correct your story structure. They are after missed typos, punctuation, misspellings, bad grammar and/or other language mistakes e.g. UK vs. US English, etc.

So, usually that would be it. However, there’s one other level of editing that’s not commonly known but is worth mentioning (I think). This one too should come long before proofreading, of course.

Sensitivity editing

I’ve recently had a consultation with a potential client. During our consultation, I discovered that he had a decent message. However, the audience whom he was trying to reach did not want to hear it… I believe that’s because he conveyed it without sensitivity to their culture and understanding of life. Sensitivity editors search for unintentional misrepresentations, bias, racism, and/or stereotypes. Sometimes, they’re called diversity editors. Oh, how we need them…

So, I hope this helps you self-edit your nonfiction manuscript with a lot more confidence – word by word, page by page and chapter by chapter. If you are looking for a good nonfiction editor, however, feel free to contact me at monika@monikaribeiro.net

Finally, I have a treat for you 🙂 – an expert interview with a TV script editor! She has worked with BBC4, Sky One, Sky Atlantic and other visual storytelling pros. We will be talking about script and novel writing, editing, storytelling, etc. Coming up next… So, please stay tuned.

Creative Writing – Novels vs. Nonfiction vs. Poetry


Creative Writing - Novel Writing
Creative Writing – Novel Writing

I’m a trained non fiction editor and journalist. I’m also a self-taught poet with two poetry books to my name. I enjoy locating problems with non fiction pieces and love seeing the fruits of good editing.

Non fiction writing and editing are relatively straight forward. They’re all about reality and research. You don’t have to remember made up characters nor look for creative ways to make things happen. In non fiction, things have already happened (most of the time). Your focus is on conveying your knowledge in the most interesting and factual way. Poetry and short story manuscripts are fine too. They’re relatively short and sweet (in the context of editing). You begin to see results relatively fast which encourages you to press on.

Fiction writing and editing though… That’s a whole ‘nother story…

The first draft of my novel is done. I’m thrilled about that, but first drafts are soooo imperfect. In my experience, most of the work happens between the first and the final draft of a book. Here are three things that helped me so far…

Planning My Novel (A Rough Outline)

I’m a pantser – not a plotter. Meaning: I let the story lead the way and allow characters to show me who they are and where they want to go. I figure stuff out as I go along. That’s just my natural inclination which is fine. With that said, I’m discovering that it is beneficial to plan my novel, even if it’s just a rough outline…

The average novel wordcount falls between 60.000 – 90.000 words. That’s a lot of words. It’s easy to lose the plot (literally and figuratively speaking). Again, collections of poems and/or short stories are different in that respect. Individual poems/stories should be connected thematically somehow. However, you don’t have to remember details of poem number two or story number three to nail the ones in the middle of your collection. Poems and short stories are standalones. Chapters of your novel – not so. They’re interdependent. You need to remember what your characters have gone through at the beginning of your book to be able to take them all the way through… to the end.

Ultimately, every project is about crossing that finish line. For an aspiring novelist, that line is the final draft of their novel. It’s about getting there a little faster. Writers are re-writers. Editing, re-writing, revising, re-writing, editing and revising some more are unavoidable… But, a plan can save one a few rounds of hovering over their manuscript. As they say, who fails to plan plans to fail.

Asking for Feedback

Novel writing is a new territory for me. I’m sure it will become easier if/as I continue to write fiction… However, to make this process a little smoother (now) I ask for feedback, every now and again.

You have to Be Careful Whom You Ask Though. Not everyone’s qualified nor responsible enough to speak into your story. The person/s should be competent and able to provide their observations in a constructive way. But then, there’s also the right and the wrong way to receive feedback. Be open-minded. Don’t be afraid of critical evaluation. Embrace what resonates with you. 

creative writingThe “critic” whose advice resonated with me the most is a former journalist/newspaper editor. Her honest feedback helped me acknowledge that I started my novel in the wrong place. I’m using the word ‘acknowledge’ because I kind of sort of knew that my beginning could be problematic. My main characters’ conflict was too intense, introduced too soon, etc. I think I might have been secretly hoping to get away with it… A competent, well-meaning critic will not allow you to get away with things. They’ll tell you how it is… So… Reiterating… Good feedback, however heart-breaking it may be, is your friend. Welcome it and… Start Your Novel in the Right Place.

As you may already know, I went back to the drawing board. And now, my opening is sooo much better. So much so that English teacher and bestselling author Desiri Okobia asked if she could use my first page for year 11’s creative writing lessons… Whaaaat? It’s a big deal – especially that this is my very first opening to my very first novel… I know I’ve digressed a little, but novel writing is a quest, so it’s important to Celebrate Small Victories…  

Letting IT Rest

Another thing that has always worked for me, with poetry and now with my novel manuscript too, is letting it rest for some time. If you’re working to a tight deadline, that may not be possible. However, if you can, leave your first draft alone for a month or even longer… Don’t edit, don’t re-write, don’t even re-read it. Distance yourself from your AAAMAZING story and come back to it with a fresh pair of eyes. Bear in mind, once your emotions subside, the story might seem a little less aaamazing. It is a good thing though because now you’re able to see what needs to be changed… The opposite of that might be true too. You might come back to your manuscript and find that it’s good enough (first drafts never are though).

I know… Letting it rest might be annoying when you just want to get on with it,

or… like me… you’ve told the world,

“Hey! I’m writing a novel!”

And now, the world keeps asking,

“Hey! So, when’s the novel coming out then?

“Errr… Soon.”

Sometimes, “soon” is all there is to say… Personally, I prefer to take my time and produce an excellent piece of writing rather than produce something mediocre quickly…

There’s so much more to be said about this novel writing process, but I’ll end here for now. If you have just began or you’re thinking about writing a novel, I hope this is helpful…

Let’s write this novel, shall we? Yes, we shall! 😉

Please SUBSCRIBE HERE to receive the first chapter of my novel… soon.:)

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Novel Writing Update – Story Time


“…but she did wonder if indeed one needed ‘all that money’. And if not, what did one need to be happy?” © Monika Ribeiro 2020

In a nutshell, my novel (in the making) titled “Everywhere & Always” is about the pursuit of happiness. And, you’ll probably agree that it’s almost impossible to explore happiness without addressing money…

So, I decided to throw some of my characters into riches and luxury to see who they really are… It gets interesting… That’s all I will say for now.😉

To begin introducing this theme, I gave Ai (one of those characters) a job at Harrods Knightsbridge which is where I used to work (in my early twenties)… Hmmm… I still remember dealing with vendors from the UK, Germany, France… chasing deliveries of 35,000 GBP sofas…

I used to wonder if I’d be happier sitting on a 35k sofa as opposed to a 1,5k sofa… 🤔 Well, my novel is fictional, but Ai too finds herself asking similar questions i.e. if one really needs ‘all that money’. And if not, what does one need to be happy?

I have been posting brief novel updates on my socials. Here… not so much, but I’ll do my best to change that. With that said, please Join me on Instagram too if you’d like to get regular glimpses into what’s cooking – glimpses like this one, below.

Back to my novel update though, I have received feedback regarding its first chapter. Aaaand, it was slightly underwhelming but fair. So, I decided to re-write the weaker parts of my opening, aaagain.

Honestly, novel writing turns out to be slightly more complicated than I thought it’d be… However, I am making progress. Accidentally, my rewritten first page has already earned the love of author and English teacher Desiri Okobia who said she’d use it for Year 11s’ creative writing lessons. Exciting!

So, to summarise my novel writing Update: I am rewriting… Aaagain. The promised first chapter of “Everywhere & Always” will drop in your inbox… in all its glory… soon! If… you have subscribed that is. Please do RIGHT HERE.

One More Poem – Shielded Memories


Picture taken from Barbara Campbell’s Facebook Profile

I had said that while working on my novel I’d put the brakes on writing poetry. And, I have kept to that until now. However,on Wednesday, my friend/mentor’s body was cremated. I had been invited to say a few words at her funeral…

Barbara was a big supporter of my poetry and often expressed her desire to be in the audience when I performed. Sadly, that never happened, but I thought a brief speech in poetry form was what she would have appreciated.

She died from dementia. I couldn’t stop crying every time I saw her in the final years of her life. In the most difficult times, her family and friends saw things that most would probably wish to unsee… While that’s impossible, my prayer for them and anyone who lost a loved one to this or any other monster disease is that the beautiful memories become more powerful in their minds than the bad ones.

Dementia is crude and cruel. However, Babs was and will always be a lady in my mind. I wrote this short, simple poem to celebrate that memory of her.

She is gone, but her legacy and the beautiful memories live on.

Lady B.

I call you ‘Lady’ – ‘Lady B.’ actually

International woman filled with dignity

A little stern when need be but sweet when you knew

That your heart was safe and a friendship was true…

 

So many friendships are make-believe.

 

You did not find your El Dorado. There was not enough time.

But the monster that ended your quest cannot stop you now!

You were such a star… I felt warm in your light…

We know you were here. You don’t have to fight…

Anymore.

 

I still laugh thinking of you speaking Patois to me

I am not Jamaican, but felt I could be…

When we laughed.

You left solid love chunks for your people down here…

And, you left quite a few… just for me.

 

Thank you for your time and mentoring –

Not only in good journalism or editing skill…

Thank you for your heartening when I wanted to quit.

 

You’ll be missed, Lady B.

That is who you are and will be to me…

I’ll remember your passion moving past the pain!

I’ll remember your laughter in spite of the rain

And the violent storm that came…

 

It is gone now.

It’s okay, Lady B.

Wait in Him for us… R.I.P.♥

 

Written by Monika Ribeiro

                                                                                                                                                      In loving memory of Barbara Campbell

Let’s Make the Most of Our Time…


My 2019 ended… well… with passing away of one of my mentors and friends. Mine and other journalists’ tributes have just been published by the Voice News. And, I couldn’t start 2020 without acknowledging the impact this editor/publisher and friend had on my writing and life.

“…Barbara Campbell trained me as a journalist while I was freelancing for Black Heritage Today and International Women’s Month magazines. She taught me how to write feature articles, conduct journalistic interviews, research and more. She welcomed me into her home and heart as well.

“I remember proudly presenting my first feature to her. It was embellished – quite “flowery”. She cut so much out. I got upset thinking she took my soul out of the piece. I then showed it to my friend who had read the original. She didn’t hesitate to tell me that Barbara’s pen made it better. So, I decided to stop mourning my style and started paying attention. 

‘HER HEART BLED FOR THE BLACK COMMUNITY’

“Barbara knew exactly what she wanted to say and how she wanted to say it. Her heart bled for the black community and for black stories to be told the RIGHT WAY. I could see a flame in her eyes when she spoke about how much the community needed positive role models and narratives. That passion drove her and made her fight tirelessly against financial, physical and all other odds. It was tough on her, especially towards the end. Sometimes, I think she sacrificed her life for it.”

Speaking about the lasting impact that Campbell had on her life, Ribeiro says:

“These few words are not enough to summarise the impact she made on me as a writer. When I decided not to pursue journalism, she encouraged my poetry and gave me a poet’s corner in Black Heritage Today. In one of her recommendations, she said ‘…Anytime, she is performing l hope to be there – cheering from the front!’ Sadly, she never made it to my shows, but I still hear her voice in my head reminding me to use the word ‘reportedly’ just in case… I edit my stories the way she taught me. Her heart and skills are part of my writing. She was an excellent journalist, editor, boss lady, teacher and friend…”

Please read the rest of mine and other tributes on the Voice News Website.

I wish you and myself a Happy New Year. Let’s make the most of our time here and let’s appreciate friends and family while there’s still time.

Everywhere & Always – A Story Waiting to be Told


“It was one of those afternoons when the beautiful summer sun chased even zealous hermits out their four walls. All but one. Her curtains were closed all day. She didn’t notice the sun’s rays and her skin couldn’t feel its warmth…”

Yes, there’s a new book in the making!

The first draft is done. Yuppie! However,… Yes, there’s a however… I have a bunch of revisions ahead of me still. There’s a vague release date in my mind but I’m not going to share it just yet. Undoubtedly, it is going to take some time before the book’s out. That’s not a bad thing though. Quality is what I’m after…

So, I’ve already spent some time revising the first chapter – over and over and over again…

I believe it is strong enough to capture your imagination, but… Yes, there’s a “but”. I thought it’d be smart to ask a few other storytellers for feedback. I’m waiting to hear from them, at the moment. Once I’m confident that I’ve done the chapter justice I am going to share it with my e-mail subscribers. I can’t wait!

Please Join Us if you’d like me to share glimpses of my novel in the making with you.

So now… The title…  [drumroll] “Everywhere & Always”

It is a story of a multiracial friendship between four people from  different cultural backgrounds… Taking place in a world that doesn’t always get it… It is about their pursuit of happiness; identity search and breaking away from the society’s expectations to pursue their own respective destinies…

Life events force Ai, Alma, Emilio and Jack to face their fears and make choices: love or money; truth or freedom; forgiveness or torment, sadness or joy… Ohhh…

I feel like giving away a little more… I hope this isn’t a spoiler. Nope, I don’t think it is. The book begins with “trouble in paradise”. Yes, their friendship is tested, and the journey begins. I’ll add this for good measure – one of the characters is a drama queen… who’s suffering from depression to top it all off.

But don’t worry – the others are lovely… or not… 😉

Click to Subscribe (via email) and Find Out for Yourself.

7 Answers – Interview & Introduction


7 Questions.jpgA few months ago, I was featured in “Seven Questions…” – a popular column of a UK based newspaper for the Polish diaspora. The interview format was quite unusual. I was given a number of one word/two-word questions to choose from and asked to develop answers based on whatever reflections they triggered in my mind.

When the interview came out I promised my English-speaking readers its translation, so here it comes – slightly adapted for this blog but true to the heart of our conversation.

Monika Ribeiro

Writer, Poet. Published two books with inspiring poetry and short stories – “Do Lend Me Your Ears” and “Love, don’t Fear” – currently writing her third book (epic novel). She comes from Poland, completed a master’s degree course in marketing and management at the University of Szczecin. She has lived in London for the past 15 years.

Colour

Black and white, hence brown… like my skin which reflects the fusion of two cultures – Nigerian (my dad’s side) and Polish (my mum’s). My parents met when they were students at the Technical University of Lodz. For the first few months after I was born, subsequently every now and then: I’ve lived there with them – in a student home. Skin colour means nothing because we all belong to one race – human race.

Place

The old town of Barcelona. The beach, sun, museums, beautiful antique buildings, music… One of my visits, about 4 years ago, is especially engraved in my memory. One morning, in the search of peace I discovered Museu Frederic Marés… I spent half of my day there – writing, staring at tourists and artists immersed in high-focus drawing… I lost the sense of time. On the other hand, London is the city where I don’t feel different – where I can get lost in the crowd. Here, I met my husband Miguel, started my adult life and gave birth to three kids.

Life’s Motto

Never Give Up because Nothing is Impossible. This thought subtly but consistently re-appears in my poetry and life choices.

Join me on Insta

Hobby

Writing. It’s my passion, therapy and career choice. It’s great when a reader or listener comes back to tell me how much they appreciate my creations, but the writing process is just as important as the final effect. During the process, I experience an emotional catharsis and feelings stronger than those I get whilst travelling because when you write you’re allowed to create new places instead of merely discovering them. The book I’m working on now is about love, friendship, the pursuit of happiness, finding God and fighting for your dream…

Music

It has to be positive and spirit lifting. Melody, of course, is important but first and foremost, I care about the lyrics and the atmosphere a musical piece creates…

Book

The Bible. 15 years ago, I was in Paris visiting Ayo (who authored the foreword to my book “Love, don’t Fear”). One evening, in preparation for travel, she was packing her suitcase: clothes, jewellery, a storm of colours. What struck me was that, in spite of a relatively small travel-bag, she packed three bibles – English, German and French… Many things have happened since then, but the Scriptures still are my main spiritual food. They helped me get rid of a few-year long depression and they’re the source of daily wisdoms I have not found in any other book.

Film

“Rocky” with Sylvester Stallone. A story about a small-time boxer realising his dreams of becoming the heavy-weight world champion. I watched the series a few times and will probably watch them again. Highlights – literal and metaphorical battle, facing his opponent but mostly himself, love… Main message – fight until the end, don’t lose faith, love and respect others…

 

If you speak Polish, see the first pic above with the original interview. Join me on Instagram too. 

Racism, Politics & the Spirit of Fear


Martin Luther King

Yesterday, I was verbally attacked for not being fully black (my mum’s white)… I couldn’t believe the hatred that came out of the person’s mouth. They directed racist abuse towards me – pointing out my background, my skin being fairer than theirs and my hair being too long to be “black”. Whaaaat?! Are we really going there, again? 

This happens to me every now and then (click here to read), but whenever it does it’s still a shock to my system, especially when it’s done by someone who’s close to my heart.

I won’t say who they were because I’m not here to fight the perpetrator, but I do want to come against the spirit (of fear). That person has been following American politics and got infuriated by president Trump’s racial attacks on 4 democratic women of colour… I understand why he felt angry, but he did to me the exact same thing Trump did to the other women. That’s what fear does – it makes you irrationally hate another… Reverse racism does exist. Since when are all white people responsible for evil actions of one or even a group of “their kind”? By that standard, should all black people be responsible for evil actions of one or a group of “their kind”? Moreover, being mixed-raced, should we be responsible for every crazy utterance of every black and/or white person? This… is… madness! We are individuals responsible for our own actions and nobody else’s. 

Instagram This Conversation

I don’t support the American president’s racist comments and the dangerous ways in which he carries on in his role. I don’t know much about politics, but my heart sank when he became the head of the state… Still, I don’t appreciate the vulgar way in which one of the women expressed her desire to impeach him. I understand her anger, but there’s a better way (language) to confront evil. We cannot fight fire with fire and we can definitely not fight racism with more racism… Two wrongs don’t make a right. Why do we remember and respect men like dr Martin Luther King or Nelson Mandela? Because, despite injustice and cruelty, they responded with love and reason. They did not debase themselves to the level of those misguided by hatred and othering… 

We live in a fallen world. Bad things happen here. Bad people further their evil agendas… Is it difficult to manoeuvre through the darkness? Yes! The only thing that centres me is knowing that in the midst of it all, God is still in control. And, that there will be a time when all lies will be exposed and the truth will stand. It may not be  for another hundred years, or it might be tomorrow – but that time will come. In the meantime, we have to stay close to Him or our hearts will surely fail out of fear… 

I’d like to conclude with the following verses from the Bible which is what helps me with my own struggles in this area…

Men’s hearts failing them for fear, and for looking after those things which are coming on the earth: for the powers of heaven shall be shaken…” 

Be strong and of a good courage, fear not, nor be afraid of them: for the Lord thy God, he it is that doth go with thee; he will not fail thee, nor forsake thee.”